Chandler Limited Curve Bender Equaliser

The Chandler Limited Curve Bender is a modern TG equaliser based on the legendary console used by The Beatles and Pink Floyd. Designed by Chandler Limited, it expands the original EQ to 51 points with selectable cut/boost up to ±13.5dB, bell/shelf options, and precise stepped controls. It combines standard and mastering features in one unit for versatile, high-end analogue EQ shaping.

Chandler Limited Curve Bender Equaliser

The Chandler Limited Curve Bender is a high-end TG equaliser created to celebrate the 75th anniversary of Abbey Road Studios. Designed by Chandler Limited’s Wade Goeke, it is based on the classic EMI TG12345 console used on recordings by The Beatles and Pink Floyd.

Continuing EMI’s long tradition of equaliser design, which began with the RS57 in 1954, the Chandler Limited Curve Bender draws directly from the 1969 TG12345 and the 1974 TG12412 units.

Wade expanded the original’s limited EQ range to offer 51 selectable EQ points, along with a multiplier switch that allows for up to ±13.5dB of cut or boost. The multiplier also sharpens the Q and enables further tonal shaping. Both the high and low bands include filter and bell/shelf options for added flexibility.

From 2011 onwards, the mastering and standard versions were merged into a single model. When the multiplier is set to x1, EQ adjustments occur in 0.5dB increments, offering up to ±5dB of gain per band. Switching to x1.5 expands this to ±13.5dB per band. The main left and right output level controls always operate in 0.5dB steps for precision gain adjustment, with a range of ±5dB.

History

Developed from meetings in 1967 between Abbey Road and EMI’s Central Research Laboratories, the EMI TG12345 MK.I was a germanium transistor-based solid-state console created to replace the earlier valve-driven EMI REDD desks.

Though basic by today’s standards, the TG12345’s equaliser section represented a significant advancement over the REDD consoles. Installed in Abbey Road’s Studio Two in November 1968, the TG12345 made its first appearance on an 8-track session with The Shadows and marked a major transition from valve to solid-state technology at the studio.

The EMI TG12345 MK.I played a key role in shaping the sound of The Beatles’ Abbey Road, offering a fuller, more refined tone compared to their earlier recordings. The console went on to be used for landmark albums including Pink Floyd’s The Dark Side of the Moon and Wish You Were Here, John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass, and major film scores such as Raiders of the Lost Ark.

The TG12345 underwent multiple revisions throughout the 1970s and remained Abbey Road’s primary recording console until 1983. Despite its iconic status, TG consoles were never made commercially available.

Chandler Limited Curve Bender Equaliser Reviews

Not only does the Curve Bender add tone and character, but it also creates an organic, emotionally evoking level of musicality. It has an incredibly pleasant way of smoothing out the high-end frequencies, especially for digital or sample-based instruments. It also produces strong, rich, in-your-face mid-range tones and builds body and density in the lower frequencies. Like other great analogue gear, it also imparts a 3D depth to stereo material.
Even though I’ve long thought that any kind of ‘heritage hype’ is a waste of marketing ink (if you have this much money to spend on an EQ, it is probably highly immaterial what its role was in the recording of ‘Yellow Submarine’), there is no doubt that Wade Goeke has produced something for Chandler that deserves great engineering respect and commands special attention. It’s unlikely ever to be the first EQ in a mastering facility — because it is just too special in its operations for that — but I can imagine very few engineers who, having used it, would not wish to possess one as a second EQ. The price is steep, but given the quality of the workmanship, it is actually more than fair. In fact, in our new world of inexpensive but basically empty boxes being marketed to cater for insecure mastering engineers, the Chandler Curve Bender, a box chock-full of engineering and expertise, actually comes across as something like a bargain.

Specifications

  • Circuit Type: EMI TG, Discrete, Transistor
  • Channels: Stereo
  • Feature Set:
    • Treble: Switchable (3.6, 4.2, 6.5, 8.1, 10, 12, 16, 20 kHz, Out), peak/shelf switchable
    • Presence 1: Switchable (.8, 1.2, 1.8, 2.8, 3.6, 4.2, 6.5, 8.1 kHz, Out)
    • Presence 2: Switchable (.3, .5, .8, 1.2, 1.8, 2.8, 3.6 kHz, Out)
    • Bass: Switchable (35, 50, 70, 91, 150, 200, 300 Hz, Out), peak/shelf switchable
    • High-Pass Filter: Switchable (20, 30, 40, 50, 60, 80, 100, 160, 200, 320 Hz, Out)
    • Low-Pass Filter: Switchable (30, 20, 18, 14, 10, 8.1, 5, 3, 2 kHz, Out)
    • X1/x1.5 (per band, switchable): Bell x1 narrow/x1.5 wide, cut/boost x1 in ±0.5 dB steps and x1.5 in ±1.5 dB steps
  • Output: Switched in ±0.5 dB steps
  • Bypass: True Bypass
  • I/O: XLR (pin 2 hot), Transformer balanced, custom wound
  • Power: External (PSU-1), Purchased separately

User Manual

Download the User Manual in PDF format.

Ordering

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$11,589 Inc GST

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