SPL Mixdream Class A Summing Mixer

The SPL MixDream is a cascadable 16-in-2 summing device that adds Class-A stereo summing, extensive analog insert functionality, stereo expander, limiter and switchable transformers to any DAW.

SPL Mixdream Class A Summing Mixer

Analog summing with the SPL MixDream brings intense depth, precise localisation and impressive spatiality. Individual instruments mix with smooth transitions.

Insert of each channel
Each of the 16 input channels has a switchable insert for inserting EQs, compressors, Transient Designer, etc. Reverb and multi-effect devices can of course also be connected to the inserts. In the DAW, the aux send is then routed to the corresponding output.

Master Insert
In the Master Insert, a combination of compressor and equalizer is usually recommended. The insert send level determines the level at which the insert device is controlled.

Stereo Expander
The Stereo Expander can add more width and depth to a mix so that the stereo width gained from analog summing can be increased even further.

No Mix
With the No Mix switch position, the channel is muted for summing, but is retained at the Direct Out output and can thus be recorded again. The No Mix function is especially useful when, for example, a compressor is inserted: the compressed signal can be recorded again and assigned a level automation.

Without this function, also known as “bounce back”, signals with level automation could not be compressed, because the compressor is looped in behind the post fader control and therefore the compressor threshold could not be adjusted during level runs.

Direct Outputs
Each channel has an active Direct Out, which allows individual channels to be recorded back into the DAW after insert editing.

Peak Limiter
The limiter can provide good protection for subsequent A/D converters. On the one hand, it can be used to intercept individual peaks that are too loud, and on the other hand it can also be used to increase loudness when used more intensively. How much loudness is possible with the limiter depends strongly on the nature of the music. With larger dynamic peaks, such as those coming from drums, loudness of up to 6dB can be obtained.

Master Insert
In the Master Insert, a combination of compressor and equalizer is usually recommended. The insert send level determines the drive level to the inserted device.

Stereo Expander
The Stereo Expander can add more width and depth to a mix so that the stereo width gained from analog summing can be increased even further.

Output & Transformers
The output has a level switch, which can be used to optimize the level to subsequent A/D converters. In addition, the SPL MixDream is equipped with two Lundahl LL1539 output transformers, whose special sound gives the master a final polish.

Expansion
If 16 channels are not enough when summing, the expansion input can be used as another stereo input. The output of another SPL MixDream or MixDream XP can also be connected here.

Mono 1 – 6
The channels 1/2, 3/4 as well as 5/6 can be switched mono, so that two signals can be converted by one D/A chip. For this purpose, the signals that are placed in the phantom center of the stereo mix (e.g. kick, snare, lead vocal, bass) are panned hard left/right in the DAW.

Inserts On
This allows all inserts to be switched on and off together.

SPL Mixdream Class A Summing Mixer Reviews

The SPL MixDream is an analog summing unit that offers many advantages for a studio setup without an external mixer, but with plenty of analog peripherals. Located in the upper price segment, the 16-in-2, 2U rack, equipped with Class A technology, can integrate individual DAW signals as well as external analog peripherals into the signal processing without further AD conversion. Excellent individual components with top-quality measurements can compete with those of larger mixing consoles, which explains, among other things, the added value of analog summed sound. Clean mixes, characterized by defined channel crosstalk and detailed spatial depth, can also score points. While the MixDream is relatively expensive, just like a Formula 1 racing car, the final improvements that add a few more miles of speed cost the most. Acoustically recorded or miked signals benefit enormously; electronic music doesn’t really sound any different in digitally summed mode. Every digital and analog component contributes its part to the sound, and the SPL MixDream ultimately elevates many a mix.
Careful Class-A circuit design, an extremely high headroom and a low noisefloor pay off big when it comes to summing analog signals—and the SPL MixDream offers all this and more. So far, I’ve used three different summing systems with DAWs and I’ve noticed the biggest sonic improvement yet while using the MixDream. If you’re joining the fast-growing analog summing crowd, you’ll be well represented using either the MixDream or the MixDream XP.

Specifications

  • Maximum input & output gain 28 dBu
  • Input impedance 10 kΩ
  • Output impedance (Master & Monitor w/o transformer, Insert Sends) 82 Ω
  • Output impedance (Master & Monitor w/ transformer) 65 Ω
  • Frequency range (-3 dB) 1 Hz – 220 kHz
  • THD + N (A-weighted, +10 dBu, all channels active) -104 dBu
  • Noise (A-weighted, all channels active) -97 dBu
  • Common mode rejection (1 kHz) 70 dB
  • Dynamic range 125 dB

User Manual

Download the User Manual in PDF format.

Ordering

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Original price was: $6,234.Current price is: $5,299. Inc GST

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