SPL Venos Stereo Bus Compressor

The SPL Venos Stereo Bus Compressor brings variable bias tube compression into the modern era with hyper compression modes, extensive stepped controls, SPL 120V technology, and robust construction, offering powerful, musical, and finely detailed stereo bus dynamics processing.

SPL Venos Stereo Bus Compressor

The SPL Venos Stereo Bus Compressor is built to bring enhanced size, weight, and presence to a stereo mix, using a foundation inspired by classic tube compressor designs. At the heart of the unit is a variable bias tube circuit that follows the remote cutoff principle, yet the SPL Venos goes far beyond traditional behaviour by introducing two specialised hyper compression modes called Focus and Punch. These modes reshape the way the tube bias responds, allowing the compressor to produce unique dynamic effects that are not possible with vintage units. Combining this with SPL’s 120V technology gives the Venos exceptional sonic authority and outstanding technical performance.

Every control on the SPL Venos has been designed with precision in mind. The input stage sets the working level via a 41 step potentiometer, which directly affects how intensely the compressor reacts. The threshold control also uses a 41 step layout, defining the point at which compression begins. The bias control mirrors this stepped format, adjusting the voltage on the tube grid that determines how much of the incoming audio reaches the anode, which in turn governs the strength of compression. Attack and release each provide six steps from slow to fast, making it easy to shape how quickly the compressor responds and recovers. The output level, also controlled in 41 steps, provides flexible gain matching or the ability to drive following equipment appropriately.

The SPL Venos offers a selection of modes that alter its control path. Linear mode filters only extreme low frequencies, ensuring clean and predictable behaviour. Modern mode applies a bandpass filter, keeping the compressor from reacting to very low or high frequencies, a popular approach in contemporary mixing. Vintage mode uses a custom analogue filter tuned by Wolfgang Neumann. Focus and Punch are where the SPL Venos becomes truly unique, as these hyper compression modes allow the compressor curve to peak and then fall away, creating an energetic negative ratio effect that adds weight and excitement to a mix. Ext SC activates the balanced side chain insert, enabling external processing or even completely independent signals to control the compression.

A large VU meter displays gain reduction, and the GR Cal trim pot allows the indication to be precisely aligned. Two preset analogue EQ options, AirBass and Tape, sit after the compression and before the output stage. AirBass lifts both the low and high frequencies by about 2 dB, while Tape recreates the characteristic soft roll off of tape machines.

Connectivity includes both XLR and TRS sockets with gold plated contacts, wired in parallel and electronically balanced at +6 dB. A ground switch on the rear panel helps resolve ground loop issues if they arise. Physically, the SPL Venos is built to a high standard, with a black anodised 4 mm aluminium front panel, milled aluminium knobs, and a powder coated steel chassis. SPL uses through hole components for many parts of the audio path to ensure the use of components chosen for their sound quality.

SPL’s 120V technology is central to the SPL Venos, enabling the unit to operate at +/-60 V internally. This provides far more headroom than typical audio devices running at +/-15 V. With a maximum input capability of +32.5 dBu, the SPL Venos handles demanding programme material comfortably while keeping all components operating well within their safe range. Developed in the 1990s by Wolfgang Neumann as part of the design philosophy behind the MMC 1 mastering console, the technology later became the basis for flagship products such as the PQ equaliser. Today it underpins the entire SPL premium range and is a key reason for the Venos’ ability to deliver detailed, effortless playback.

A linear power supply with a toroidal transformer provides the necessary stability and isolation for the analogue circuitry, relay stages, tube bias voltage, and LED indicators. As with all SPL hardware, the SPL Venos was developed using both technical measurement and extensive listening, ensuring that the final result pairs engineering precision with musicality.

Features

  • Variable bias tube compression architecture
  • Focus and Punch hyper compression modes
  • 41 step input, threshold, bias, and output controls
  • Six position attack and release settings
  • Selectable rectifier diode characteristics
  • Modes including Linear, Modern, Vintage, Focus, Punch, and Ext SC
  • Balanced side chain insert with send and return
  • Large gain reduction VU meter with calibration
  • AirBass and Tape EQ presets
  • Parallel wired XLR and TRS connections
  • Ground lift switch
  • SPL 120V SUPRA op amp technology
  • Linear power supply with toroidal transformer
  • High grade aluminium and steel construction
  • Through hole audio component design

Specifications

  • Analog Inputs And Outputs: XLR balanced
  • Maximum Input And Output Levels: 32.5 dBu
  • Input Impedance: 20 kΩ
  • Output Impedance: 75 Ω
  • Frequency Response: 10 Hz to 40 kHz
  • Crosstalk: -108 dBu
  • THD + N: 0.002 percent at 10 dBu
  • Noise: -98 dBu A weighted
  • Internal Power Supply: Linear power supply with shielded toroidal transformer
  • Operating Voltage For Analog Audio Electronics: +/- 60 V
  • Operating Voltage For Relays And LEDs: 12 V
  • Power Supply: 230 V AC at 50 Hz or 115 V AC at 60 Hz selectable
  • Fuse For 230 V: T 1 mA
  • Fuse For 115 V: T 2 mA
  • Power Consumption: Maximum 47 VA
  • Dimensions: 132mm x 482mm x 300mm
  • Weight: 3.85kg

User Manual

Download the User Manual in PDF format.

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